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Protestantism and Politics in Eastern Europe and Russia
The Communist and Post-Communist Eras
Sabrina P. Ramet, ed.
Duke University Press, 1993
Coming at a time of enormous transformations in the one-time Communist bloc, this volume provides a much-needed perspective on the significance of church-state relations in the renaissance of civil society in the region. The essays collected here accentuate the peculiarly political character of Protestantism within Communist systems. With few identifiable leaders, a multiplicity of denominations, and a tendency away from hierarchical structures, the Protestant churches presents a remarkably diverse pattern of church-state relations. Consequently, the longtime coexistence of Protestantism and Communism in Eastern Europe and the former Soviet Union affords numerous examples of political accommodation and theological adaption that both reflect and foreshadow the dramatic changes of the 1990s.
Based on extensive field research, including interviews with notable figures in the Protestant churches in the region, the essays in this volume address broad topics such as the church's involvment in environmentalism, pacifism, and other dissident movements, as well as issues particular to Russia, Poland, Czechoslovakia, East Germany, (1949–1989), Hungary, Yugoslavia (1945-1991), Bulgaria, and Romania. The final volume in the three-volume work "Christianity Under Stress," Protestantism and Politics in Eastern Europe and Russia will prove invaluable to anyone hoping to understand not only the workings of religion under Communism, but the historical and contemporary interactions of church and state in general.

Contributors. Paul Bock, Lawrence Klippenstein, Paul Mojzes, Earl A. Pope, Joseph Pungur, Sabrina Petra Ramet, Walter Sawatsky, N. Gerald Shenk, Gerd Stricker, Sape A. Zylstra

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Protestantism in Guatemala
Living in the New Jerusalem
By Virginia Garrard-Burnett
University of Texas Press, 1998

Guatemala has undergone an unprecedented conversion to Protestantism since the 1970s, so that thirty percent of its people now belong to Protestant churches, more than in any other Latin American nation. To illuminate some of the causes of this phenomenon, Virginia Garrard-Burnett here offers the first history of Protestantism in a Latin American country, focusing specifically on the rise of Protestantism within the ethnic and political history of Guatemala.

Garrard-Burnett finds that while Protestant missionaries were early valued for their medical clinics, schools, translation projects, and especially for the counterbalance they provided against Roman Catholicism, Protestantism itself attracted few converts in Guatemala until the 1960s. Since then, however, the militarization of the state, increasing public violence, and the "globalization" of Guatemalan national politics have undermined the traditional ties of kinship, custom, and belief that gave Guatemalans a sense of identity, and many are turning to Protestantism to recreate a sense of order, identity, and belonging.

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Proust, Mann, Joyce in the Modernist Context, Second Edition
Gerald Gillespie
Catholic University of America Press, 2010
The original version of Proust, Mann, Joyce in the Modernist Context strove to show how a kindred encyclopedic drive and sacramental sense informed their responses to the epochal trauma, yielding three distinct and monumental visions of the human estate by the 1920s.
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Province of Reason
Sam Bass Warner Jr.
Harvard University Press, 1984

This book is about some of the largest events of the twentieth century, about international war, economic collapse, new science and technologies, and about the transformation of an old mill town region into a modern American metropolis. But it sees those sweeping changes through the eyes of fourteen particular Bostonians, in an ambitious attempt to understand the disorienting experiences of recent history. These lives span the years from 1850 to 1980, a time when Boston, like all American cities, was being rebuilt according to the continually changing specifications of science, engineering, mass wealth, and big corporations.

From Boston Brahmins to self-made millionaires, Sam Warner, Jr., brings us into the diverse worlds of Robert Grant, judge and popular novelist; Mary Antin, mystic and advocate for immigrants; Fred Allen, radio comedian; Charles A. Stone and Edwin S. Webster, electrical engineers; Laura Elizabeth Richards, reformist clubwoman; Emily Greene Balch, economist and winner of the Nobel Peace Prize; William Madison Wood, textile magnate; Fred Erwin Beal, socialist labor organizer; Louise Andrews Kent, suburban housewife and writer; Vannevar Bush, science administrator; Laurence K. Marshall, electronics entrepreneur; James Bryant Conant, university president and educational reformer; and Rachel Carson, renowned science writer.

These varied lives have been deftly brought together to illuminate the many contradictory qualifies of today’s metropolitan life: ambitions for education and pervasive social neglect; conspicuous luxuries and endemic poverty; elaborate science and a poisoned environment; far-reaching cooperative networks of strangers and narrow, segregated neighborhoods; the multiplication of women’s roles and the entrapment of women in the home.

Individual experience—how one person lived as a child in a family and in a particular place, how people did their work—can bring renewed insight to the conflicts of modern life. This engrossing story speaks from an urge to recapture history through human lives and to examine its meaning as authentic experience. As Alfred Kazin expresses it, we are a nation of men and women who have endeavored to escape traditions, and therefore self-discovery is our preoccupation and delight.

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Provincial Patriots
The Hunanese and Modern China
Stephen R. Platt
Harvard University Press, 2007

From the Taiping Rebellion in the mid-nineteenth century to the Chinese Communist movement in the twentieth, no province in China gave rise to as many reformers, military officers, and revolutionaries as did Hunan. Stephen Platt offers the first comprehensive study of why Hunan wielded such disproportionate influence.

Covering a span of eight decades, this book portrays three generations of Hunanese scholar-activists who held their provincial loyalties above their allegiances to a questionable Chinese empire. The renaissance of Hunan centered around the revival of Wang Fuzhi, a local hermit scholar from the seventeenth century whose iconoclastic writings were deemed a remarkable match for "Western" ideas of progress, humanism, and nationalism. Advocates of reform and revolution thus framed their projects as the continuance of a local tradition--the natural destiny of the Hunanese people--creating a tradition of reform and nationalism that culminated in the 1920s with a Hunanese independence movement led by the young Mao Zedong.

By putting provincial Hunan at the center of this narrative, Platt uncovers an unexpected and surprising story of modern China that sheds light on the current resurgence of regionalism in the country.

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The Provisional IRA
From Insurrection to Parliament
Tommy McKearney
Pluto Press, 2011

This book analyses the underlying reasons behind the formation of the Provisional Irish Republican Army (IRA), its development, where this current in Irish republicanism is at present and its prospects for the future.

Tommy McKearney, a former IRA member who was part of the 1980 hunger strike, challenges the misconception that the Provisional IRA was only, or even wholly, about ending partition and uniting Ireland. He argues that while these objectives were always the core and headline demands of the organisation, opposition to the old Northern Ireland state was a major dynamic for the IRA’s armed campaign. As he explores the makeup and strategy of the IRA he is not uncritical, examining alternative options available to the movement at different periods, arguing that its inability to develop a clear socialist programme has limited its effectiveness and reach.

This authoritative and engaging history provides a fascinating insight into the workings and dynamics of a modern resistance movement.

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Provoking the Press
(MORE) Magazine and the Crisis of Confidence in American Journalism
Kevin M. Lerner
University of Missouri Press, 2023
At the beginning of the 1970s, broadcast news and a few newspapers such as The New York Times wielded national influence in shaping public discourse, to a degree never before enjoyed by the news media. At the same time, however, attacks from political conservatives such as Vice President Spiro Agnew began to erode public trust in news institutions, even as a new breed of college-educated reporters were hitting their stride. This new wave of journalists, doing their best to cover the roiling culture wars of the day, grew increasingly frustrated by the limitations of traditional notions of objectivity in news writing and began to push back against convention, turning their eyes on the press itself.

Two of these new journalists, a Pulitzer Prize—winning, Harvard-educated New York Times reporter named J. Anthony Lukas, and a former Newsweek media writer named Richard Pollak, founded a journalism review called (MORE) in 1971, with its pilot issue appearing the same month that the Times began publishing the Pentagon Papers. (MORE) covered the press with a critical attitude that blended seriousness and satire—part New York Review of Books, part underground press. In the eight years that it published, (MORE) brought together nearly every important American journalist of the 1970s, either as a writer, a subject of its critical eye, or as a participant in its series of raucous "A.J. Liebling Counter-Conventions"—meetings named after the outspoken press critic—the first of which convened in 1974. In issue after issue the magazine considered and questioned the mainstream press's coverage of explosive stories of the decade, including the Watergate scandal; the "seven dirty words" obscenity trial; the debate over a reporter's constitutional privilege; the rise of public broadcasting; the struggle for women and minorities to find a voice in mainstream newsrooms; and the U.S. debut of press baron Rupert Murdoch.

In telling the story of (MORE) and its legacy, Kevin Lerner explores the power of criticism to reform and guide the institutions of the press and, in turn, influence public discourse.
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The Pro-War Movement
Domestic Support for the Vietnam War and the Making of Modern American Conservatism
Sandra Scanlon
University of Massachusetts Press, 2013
In the vast literature on the Vietnam War, much has been written about the antiwar movement and its influence on U.S. policy and politics. In this book, Sandra Scanlon shifts attention to those Americans who supported the war and explores the war's impact on the burgeoning conservative political movement of the 1960s and early 1970s.

Believing the Vietnam War to be a just and necessary cause, the pro-war movement pushed for more direct American military intervention in Southeast Asia throughout the Kennedy administration, lobbied for intensified bombing during the Johnson years, and offered coherent, if divided, endorsements of Nixon's policies of phased withdrawal. Although its political wing was dominated by individuals and organizations associated with Barry Goldwater's presidential bids, the movement incorporated a broad range of interests and groups united by a shared antipathy to the New Deal order and liberal Cold War ideology.

Appealing to patriotism, conservative leaders initially rallied popular support in favor of total victory and later endorsed Nixon's call for "peace with honor." Yet as the war dragged on with no clear end in sight, internal divisions eroded the confidence of pro-war conservatives in achieving their aims and forced them to reevaluate the political viability of their hardline Cold War rhetoric. Conservatives still managed to make use of grassroots patriotic campaigns to marshal support for the war, particularly among white ethnic workers opposed to the antiwar movement. Yet in so doing, Scanlon concludes, they altered the nature and direction of the conservative agenda in both foreign and domestic policy for years to come.
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A Pryor Commitment
David Pryor
Butler Center for Arkansas Studies, 2009
David Pryor’s career of public service is unparalleled in Arkansas history: he has been elected state representative, congressman, governor, and, alongside Dale Bumpers, U.S. senator (1979–1997). Through it all, Pryor’s curiosity, compassion, and concern for ordinary Americans draw the reader from one colorful vignette to another.
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The Pseudoscience Wars
Immanuel Velikovsky and the Birth of the Modern Fringe
Michael D. Gordin
University of Chicago Press, 2012
Properly analyzed, the collective mythological and religious writings of humanity reveal that around 1500 BC, a comet swept perilously close to Earth, triggering widespread natural disasters and threatening the destruction of all life before settling into solar orbit as Venus, our nearest planetary neighbor.
 
Sound implausible? Well, from 1950 until the late 1970s, a huge number of people begged to differ, as they devoured Immanuel Velikovsky’s major best-seller, Worlds in Collision, insisting that perhaps this polymathic thinker held the key to a new science and a new history. Scientists, on the other hand, assaulted Velikovsky’s book, his followers, and his press mercilessly from the get-go. In The Pseudoscience Wars, Michael D. Gordin resurrects the largely forgotten figure of Velikovsky and uses his strange career and surprisingly influential writings to explore the changing definitions of the line that separates legitimate scientific inquiry from what is deemed bunk, and to show how vital this question remains to us today. Drawing on a wealth of previously unpublished material from Velikovsky’s personal archives, Gordin presents a behind-the-scenes history of the writer’s career, from his initial burst of success through his growing influence on the counterculture, heated public battles with such luminaries as Carl Sagan, and eventual eclipse. Along the way, he offers fascinating glimpses into the histories and effects of other fringe doctrines, including creationism, Lysenkoism, parapsychology, and more—all of which have surprising connections to Velikovsky’s theories.
 
Science today is hardly universally secure, and scientists seem themselves beset by critics, denialists, and those they label “pseudoscientists”—as seen all too clearly in battles over evolution and climate change. The Pseudoscience Wars simultaneously reveals the surprising Cold War roots of our contemporary dilemma and points readers to a different approach to drawing the line between knowledge and nonsense.

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Psycho Paths
Tracking the Serial Killer Through Contemporary American Film and Fiction
Philip L. Simpson
Southern Illinois University Press, 2000

Philip L. Simpson provides an original and broad overview of the evolving serial killer genre in the two media most responsible for its popularity: literature and cinema of the 1980s and 1990s.

The fictional serial killer, with a motiveless, highly individualized modus operandi, is the latest manifestation of the multiple murderers and homicidal maniacs that haunt American literature and, particularly, visual media such as cinema and television. Simpson theorizes that the serial killer genre results from a combination of earlier genre depictions of multiple murderers, inherited Gothic storytelling conventions, and threatening folkloric figures reworked over the years into a contemporary mythology of violence. Updated and repackaged for mass consumption, the Gothic villains, the monsters, the vampires, and the werewolves of the past have evolved into the fictional serial killer, who clearly reflects American cultural anxieties at the start of the twenty-first century.

Citing numerous sources, Simpson argues that serial killers’ recent popularity as genre monsters owes much to their pliability to any number of authorial ideological agendas from both the left and the right ends of the political spectrum. Serial killers in fiction are a kind of debased and traumatized visionary, whose murders privately and publicly re-empower them with a pseudo-divine aura in the contemporary political moment. The current fascination with serial killer narratives can thus be explained as the latest manifestation of the ongoing human fascination with tales of gruesome murders and mythic villains finding a receptive audience in a nation galvanized by the increasingly apocalyptic tension between the extremist philosophies of both the New Right and the anti-New Right.

Faced with a blizzard of works of varying quality dealing with the serial killer, Simpson has ruled out the catalog approach in this study in favor of in-depth an analysis of the best American work in the genre. He has chosen novels and films that have at least some degree of public name-recognition or notoriety, including Red Dragon and The Silence of the Lambs by Thomas Harris, Manhunter directed by Michael Mann, Henry: Portrait of a Serial Killer directed by John McNaughton, Seven directed by David Fincher, Natural Born Killers directed by Oliver Stone, Zombie by Joyce Carol Oates, and American Psycho by Bret Easton Ellis.

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Public Face Of Modernism
Little Magazines, Audiences, And Reception, 1905-1920
Mark S. Morrisson
University of Wisconsin Press, 2000
Between the 1890s and the 1920s, mass consumer culture and modernism grew up together, by most accounts as mutual antagonists. This provocative work of cultural history tells a different story.  By delving deeply into the publishing and promotional practices of the modernists in Britain and America, however, Mark Morrisson reveals that their engagements with the commercial mass market were in fact extensive and diverse.
    The phenomenal successes of new advertising agencies and mass market publishers did elicit what Morrisson calls a "crisis of publicity" for some modernists and for many concerned citizens in both countries. But, as Morrisson demonstrates, the vast influence of these industries on consumers also had a profound and largely overlooked effect upon many modernist authors, artists, and others. By exploring the publicity and audience reception of several of the most important modernist magazines of the period, The Public Face of Modernism shows how modernists, far from lamenting the destruction of meaningful art and public culture by the new mass market, actually displayed optimism about the power of mass-market technologies and strategies to transform and rejuvenate contemporary culture—and, above all, to restore a public function to art.
    This reconstruction of the "public face of modernism" offers surprising new perceptions about the class, gender, racial, and even generational tensions within the public culture of the early part of the century, and provides a rare insight into the actual audiences for modernist magazines of the period.  Moreover, in new readings of works by James Joyce, George Bernard Shaw, Wyndham Lewis, Ford Madox Ford, T. S. Eliot, William Carlos Williams, and many others, Morrisson shows that these contexts also had an impact on the techniques and concerns of the literature itself.
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Public Finance During the Korean Modernization Process
Roy Bahl, Chuk Kyo Kim, and Chong Kee Park
Harvard University Press, 1986
This final volume in the series Studies in the Modernization of the Republic of Korea, 1945–1975, is an analysis of the contribution of tax and expenditure policy to Korea's rapid economic development during the 1953–1975 period. Based upon specially compiled and comprehensive revenue and expenditure data, the authors first trace the history of Korean fiscal policy during the modernization period and then examine how Korea's fiscal development has differed from that of other countries. The results of the analysis show that Korea did not follow the traditional path of a steadily increasing tax effort, reliance on direct taxes, and emphasis on income distribution. Instead, through improved tax administration and expenditure control, the savings rate was increased dramatically.
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Public Libraries in Nazi Germany
Margaret F. Stieg
University of Alabama Press, 1992

"Margaret F. Stieg's thoroughly researched study, the first comprehensive examination of public libraries in Nazi Germany, reveals that library policy in the Third Reich was far more complex than we might assume, with the positive and the negative hopelessly entangled. . . . A solid and welcome contribution." 

American Historical Review
 



 



 


 




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The Public Life of the Arts in America
The Public Life of the Arts in America, Revised Edition
Cherbo, Joni Maya
Rutgers University Press, 2000

Art and entertainment constitute America’s second-largest export. Most Americans—96%, to be exact—are somehow involved in the arts, whether as audience participants, hobbyists, or via broadcast, recording, video, or the Internet. The contribution of the arts to the U.S. economy is stunning: the nonprofit arts industry alone contributes over 857 billion dollars per year, and America’s fine and performing arts enjoy world-class status.

 Despite its size, quality, and economic impact, the arts community is not articulate about how they serve public interests, and few citizens have an appreciation of the myriad of public policies that influence American arts and culture. The contributors to this volume argue that U.S. policy can—and should—support the arts and that the arts, in turn serve a broad rather than an elite public. Indeed, increased support for the arts and culture equals good economic and trade policy; it also contributes to the quality of life and community, and helps sustain the creativity of American artists and organizations.

By encouraging policy-makers to systematically start investigating the crucial role and importance of all of the arts in the United States, The Arts and Public Purpose moves the field forward with fresh ideas, new concepts, and important new data.

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Public Negotiations
Gender and Journalism in Contemporary US Latina/o Literature
Ariana E. Vigil
The Ohio State University Press, 2019
Ariana E. Vigil’s interdisciplinary study, Public Negotiations: Gender and Journalism in Contemporary US Latina/o Literature examines how the boundaries of the Latina/o public sphere are negotiated through mass media.  : Focusing on a wide range of twentieth- and twenty-first-century Latina/o literary texts that feature Latina/o media figures—works by Lucha Corpi, Oscar Zeta Acosta, Cherríe Moraga, and Rubén Salazar, among others—Vigil examines the relationship between Latina/o media and Latina/o publics and reflects on how literature demonstrates a sustained interest in this relationship.
Vigil also reveals how these conversations inevitably engage with gender concerns, showing how the role of gender in this relationship is neither static nor consistent over time. Examining how these works represent such things as gendered Latina/o counter publics, how Central American–American communities are gendered in relation to other US Latina/o communities, how and why gendered expressions of Latinidad are produced and marketed, and how print media provides an important space for dissemination of diverse ideas, Public Negotiations considers the way in which gender functions in terms of both the construction and reception of a Latina/o public in a transnational space. Through thorough examination and with deep insight, Vigil shows how literature can invaluably reflect current and historical issues surrounding media and the public sphere and help us imagine new, hopefully better, possibilities.
 
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Public Relations and the Press
The Troubled Embrace
Karla Gower
Northwestern University Press, 2007
We are living in what one author describes as “highly promotional times.”  Governments and corporations, nonprofits and special interest groups, all have spin doctors trying to turn the news to their advantage.  This increasingly incestuous connection between the practitioners of public relations and journalism has resulted in a troubling shift in power. Public Relations and the Press examines how this shift came to be and explores the questions it raises about the role of media in a democratic society and the future of journalism.
            A democracy works when individuals have access to reliable information upon which to base decisions—information that in our day comes from the mass media.  But what if journalists do not have the wherewithal to question their sources and evaluate the information they provide?  This, Karla K. Gower explains, is precisely what happens when economic and competitive pressures shift power from the journalist to the source—and the source, not the journalist, controls the flow of information to the public.  Gowers describes a situation in which people, “informed” by practitioners of public relations, do not have sufficient information to make valid decisions.  At stake is the core credibility of the press itself, and therefore the essential claim of journalism to a privileged role in a democratic social order.
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Public Schools in Hard Times
The Great Depression and Recent Years
David Tyack, Robert Lowe, and Elisabeth Hansot
Harvard University Press, 1984

In the first social history of what happened to public schools in those “years of the locust,” the authors explore the daily experience of schoolchildren in many kinds of communities—the public school students of working-class northeastern towns, the rural black children of the South, the prosperous adolescents of midwestern suburbs. How did educators respond to the fiscal crisis, and why did Americans retain their faith in public schooling during the cataclysm? The authors examine how New Dealers regarded public education and the reaction of public school people to the distinctive New Deal style in programs such as the National Youth Administration. They illustrate the story with photographs, cartoons, and vignettes of life behind the schoolhouse door.

Moving from that troubled period to our own, the authors compare the anxieties of the depression decade with the uncertainties of the 1970s and 1980s. Heirs to an optimistic tradition and trained to manage growth, school staff have lately encountered three shortages: of pupils, money, and public confidence. Professional morale has dropped as expectations and criticism have mounted. Changes in the governing and financing of education have made planning for the future even riskier than usual.

Drawing on the experience of the 1930s to illuminate the problems of the 1980s, the authors lend historical perspective to current discussions about the future of public education. They stress the basic stability of public education while emphasizing the unfinished business of achieving equality in schooling.

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Public Spectacles of Violence
Sensational Cinema and Journalism in Early Twentieth-Century Mexico and Brazil
Rielle Navitski
Duke University Press, 2017
In Public Spectacles of Violence Rielle Navitski examines the proliferation of cinematic and photographic images of criminality, bodily injury, and technological catastrophe in early twentieth-century Mexico and Brazil, which were among Latin America’s most industrialized nations and later developed two of the region’s largest film industries. Navitski analyzes a wide range of sensational cultural forms, from nonfiction films and serial cinema to illustrated police reportage, serial literature, and fan magazines, demonstrating how media spectacles of violence helped audiences make sense of the political instability, high crime rates, and social inequality that came with modernization. In both nations, sensational cinema and journalism—influenced by imported films—forged a common public sphere that reached across the racial, class, and geographic divides accentuated by economic growth and urbanization. Highlighting the human costs of modernization, these media constructed everyday experience as decidedly modern, in that it was marked by the same social ills facing industrialized countries. The legacy of sensational early twentieth-century visual culture remains felt in Mexico and Brazil today, where public displays of violence by the military, police, and organized crime are hypervisible.
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Public Workers in Service of America
A Reader
Edited by Frederick W. Gooding Jr. and Eric S. Yellin
University of Illinois Press, 2023

From white-collar executives to mail carriers, public workers meet the needs of the entire nation. Frederick W. Gooding Jr. and Eric S. Yellin edit a collection of new research on this understudied workforce. Part One begins in the late nineteenth- and early twentieth century to explore how questions of race, class, and gender shaped public workers, their workplaces, and their place in American democracy. In Part Two, essayists examine race and gender discrimination while revealing the subtle contemporary forms of marginalization that keep Black men and Black and white women underpaid and overlooked for promotion. The historic labor actions detailed in Part Three illuminate how city employees organized not only for better pay and working conditions but to seek recognition from city officials, the public, and the national labor movement. Part Four focuses on nurses and teachers to address the thorny question of whether certain groups deserve premium pay for their irreplaceable work and sacrifices or if serving the greater good is a reward unto itself.

Contributors: Eileen Boris, Cathleen D. Cahill, Frederick W. Gooding Jr., William P. Jones, Francis Ryan, Jon Shelton, Joseph E. Slater, Katherine Turk, Eric S. Yellin, and Amy Zanoni

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A Publisher's Paradise
Expatriate Literary Culture in Paris, 1890-1960
Colette Colligan
University of Massachusetts Press, 2013
From 1890 to 1960, some of Anglo-America's most heated cultural contests over books, sex, and censorship were staged not at home, but abroad in the City of Light. Paris, with its extraordinary liberties of expression, became a special place for interrogating the margins of sexual culture and literary censorship, and a wide variety of English language "dirty books" circulated through loose expatriate publishing and distribution networks.

A Publisher's Paradise explores the political and literary dynamics that gave rise to this expatriate cultural flourishing, which included everything from Victorian pornography to the most daring and controversial modernist classics. Colette Colligan tracks the British and French politicians and diplomats who policed Paris editions of banned books and uncovers offshore networks of publishers, booksellers, authors, and readers. She looks closely at the stories the "dirty books" told about this publishing haven and the smut peddlers and literary giants it brought together in transnational cultural formations. The book profiles an eclectic group of expatriates living and publishing in Paris, from relatively obscure figures such as Charles Carrington, whose list included both The Picture of Dorian Gray and the pornographic novel Randiana, to bookshop owner Sylvia Beach, famous for publishing James Joyce's Ulysses in 1922.

A Publisher's Paradise is a compelling exploration of the little-known history of foreign pornography in Paris and the central role it played in turning the city into a modernist outpost for literary and sexual vanguardism, a reputation that still lingers today in our cultural myths of midnight in Paris.
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Publishing the Family
June Howard
Duke University Press, 2001
In Publishing the Family June Howard turns a study of the collaborative novel The Whole Family into a lens through which to examine American literature and culture at the beginning of the twentieth century. Striving to do equal justice to historical particulars and the broad horizons of social change, Howard reconsiders such categories of analysis as authorship, genre, and periodization. In the process, she offers a new method for cultural studies and American studies at the beginning of the twenty-first century.
Publishing the Family describes the sources and controversial outcome of a fascinating literary experiment. Howard embeds the story of The Whole Family in the story of Harper & Brothers’ powerful and pervasive presence in American cultural life, treating the publisher, in effect, as an author.
Each chapter of Publishing the Family casts light on some aspect of life in the United States at a moment that arguably marked the beginning of our own era. Howard revises common views of the turn-of-the-century literary marketplace and discusses the perceived crisis in the family as well as the popular and expert discourses that emerged to remedy it. She also demonstrates how creative women like Bazar editor Elizabeth Jordan blended their own ideas about the “New Woman” with traditional values. Howard places these analyses in the framework of far-reaching historical changes, such as the transformation of the public meaning of emotion and “sentimentality.” Taken together, the chapters in Publishing the Family show how profoundly the modern mapping of social life relies on boundaries between family and business, culture and commerce, which The Whole Family and Publishing the Family constantly unsettle.
Publishing the Family will interest students and scholars of American history, literature, and culture, as well as those studying gender, sexuality, and the family.
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Puerto Rican Chicago
Schooling the City, 1940-1977
Mirelsie Velázquez
University of Illinois Press, 2022

Winner of the Critics’ Choice Book awards of the American Educational Studies Association (AESA-CCBA)

The postwar migration of Puerto Rican men and women to Chicago brought thousands of their children into city schools. These children's classroom experience continued the colonial project begun in their homeland, where American ideologies had dominated Puerto Rican education since the island became a US territory. Mirelsie Velázquez tells how Chicago's Puerto Ricans pursued their educational needs in a society that constantly reminded them of their status as second-class citizens. Communities organized a media culture that addressed their concerns while creating and affirming Puerto Rican identities. Education also offered women the only venue to exercise power, and they parlayed their positions to take lead roles in activist and political circles. In time, a politicized Puerto Rican community gave voice to a previously silenced group--and highlighted that colonialism does not end when immigrants live among their colonizers.

A perceptive look at big-city community building, Puerto Rican Chicago reveals the links between justice in education and a people's claim to space in their new home.

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The Puerto Rican Movement
Voices from the Diaspora
Andres Torres
Temple University Press, 1998
Little attention has been paid to the Latino movements of the 1960s and 1970s in the literature of social movements. This volume is the first significant look at the organizations of the Puerto Rican movement, which emerged in the late 1960s and 1970s as a response to U.S. colonialism on the island and to the poverty and discrimination faced by most Puerto Ricans on the mainland.

To combat these two problems, and drawing n a tradition of patriotism and social responsibility, a number of organizations grew up, including the Young Lords Party (YLP), which later evolved into the Puerto Rican Revolutionary Workers Organization; the Pro Independence Movement (MPI), which evolved into the U.S> branch of the Puerto Rican Socialist Party; El Comite; the Puerto Rican Student Union (PRSU); the Movement for National Liberation (MLN); and the Armed Forces of National Liberation (FALN). THe Puerto Rican Movement looks at all these groups as specific organizations of real people in such places as Boston, Chicago, Hartford, New York, and Philadelphia.

The contributors, almost all of whom were involved with the organizations they describe, provide detailed descriptions and historical analyses of the Puerto Rican Left. Interviews with such key figures as Elizam Escobar, Piri Thomas, and Luis Fuentes, as well as accounts by people active in the gay/lesbian, African American, and white Left movements add a vivid picture of why and how people became  radicalized and how their ideals intersected with their group's own dynamics.

These critical assessments highlight each organization's accomplishments and failures and illuminate how different sets of people, in different circumstances, respond to social problems -- in this case, the "national question" and the issues of social justice and movement politics.
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The "Puerto Rican Problem" in Postwar New York City
Edgardo Meléndez
Rutgers University Press, 2023
The "Puerto-Rican Problem" in Postwar New York City presents the first comprehensive examination of the emergence, evolution, and consequences of the “Puerto Rican problem” campaign and narrative in New York City from 1945 to 1960. This notion originated in an intense public campaign that arose in reaction to the entry of Puerto Rican migrants to the city after 1945. The “problem” narrative influenced their incorporation in New York City and other regions of the United States where they settled. The anti-Puerto Rican campaign led to the formulation of public policies by the governments of Puerto Rico and New York City seeking to ease their incorporation in the city. Notions intrinsic to this narrative later entered American academia (like the “culture of poverty”) and American popular culture (e.g., West Side Story), which reproduced many of the stereotypes associated with Puerto Ricans at that time and shaped the way in which Puerto Ricans were studied and perceived by Americans.
 
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The Pull of Politics
Steinbeck, Wright, Hemingway, and the Left in the Late 1930s
Milton A. Cohen
University of Missouri Press, 2018
In the late 1930s, John Steinbeck, Richard Wright, and Ernest Hemingway wrote novels that won critical acclaim and popular success: The Grapes of Wrath, Native Son, and For Whom the Bell Tolls. All three writers were involved with the Left at the time, and that commitment informed their fiction. Milton Cohen examines their motives for involvement with the Left; their novels’ political themes; and why they separated from the Left after the novels were published. These writers were deeply conflicted about their political commitments, and Cohen explores the tensions that arose between politics and art, resulting in the abandonment of a political attachment.
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Pulling off the Sheets
The Second Ku Klux Klan in Deep Southern Illinois
Darrel Dexter and John A. Beadles
Southern Illinois University Press, 2024

Unmasking old-time racism in southern Illinois

Pulling off the Sheets tells the previously obscured history of the Second Ku Klux Klan which formed in deep southern Illinois in the early 1920s. Through meticulous research into both public and private records, Darrel Dexter and John A. Beadles recount the Klan’s mythical origins, reemergence, and swift disappearance. This important historical account sets out to expose the lasting impact of the Klan on race relations today.

The ideation of the Klan as a savior of the white race and protector of white womanhood was perpetuated by books, plays, and local news sources of the time. The very real but misplaced fear of Black violence on whites created an environment in which the Second Klan thrived, and recruitment ran rampant in communities such as the Protestant church. Events like the murder of Daisy Wilson intensified the climate of racial segregation and white supremacy in the region, and despite attempts at bringing justice to the perpetrators, most failed. The Second Klan’s presence may have been short-lived, but the violence and fear it inflicted continues to linger.

This disturbing historical account challenges readers to “pull back the sheet” and confront the darkest corners of their past. Dexter and Beadles emphasize the importance of acknowledging the damage that white supremacy and racism cause and how we can move toward healing.

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Punk and Revolution
Seven More Interpretations of Peruvian Reality
Shane Greene
Duke University Press, 2016
In Punk and Revolution Shane Greene radically uproots punk from its iconic place in First World urban culture, Anglo popular music, and the Euro-American avant-garde, situating it instead as a crucial element in Peru's culture of subversive militancy and political violence. Inspired by José Carlos Mariátegui's Seven Interpretive Essays on Peruvian Reality, Greene explores punk's political aspirations and subcultural possibilities while complicating the dominant narratives of the war between the Shining Path and the Peruvian state. In these seven essays, Greene experiments with style and content, bends the ethnographic genre, and juxtaposes the textual and visual. He theorizes punk in Lima as a mode of aesthetic and material underproduction, rants at canonical cultural studies for its failure to acknowledge punk's potential for generating revolutionary politics, and uncovers the intersections of gender, ethnicity, class, and authenticity in the Lima punk scene. Following the theoretical interventions of Debord, Benjamin, and Bakhtin, Greene fundamentally redefines how we might think about the creative contours of punk subculture and the politics of anarchist praxis.
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Pure Adulteration
Cheating on Nature in the Age of Manufactured Food
Benjamin R. Cohen
University of Chicago Press, 2019
Benjamin R. Cohen uses the pure food crusades at the turn of the twentieth century to provide a captivating window onto the origins of manufactured foods in the United States.

In the latter nineteenth century, extraordinary changes in food and agriculture gave rise to new tensions in the ways people understood, obtained, trusted, and ate their food. This was the Era of Adulteration, and its concerns have carried forward to today: How could you tell the food you bought was the food you thought you bought? Could something manufactured still be pure? Is it okay to manipulate nature far enough to produce new foods but not so far that you question its safety and health? How do you know where the line is? And who decides?
 
In Pure Adulteration, Benjamin R. Cohen uses the pure food crusades to provide a captivating window onto the origins of manufactured foods and the perceived problems they wrought. Cohen follows farmers, manufacturers, grocers, hucksters, housewives, politicians, and scientific analysts as they struggled to demarcate and patrol the ever-contingent, always contested border between purity and adulteration, and as, at the end of the nineteenth century, the very notion of a pure food changed.
 
In the end, there is (and was) no natural, prehuman distinction between pure and adulterated to uncover and enforce; we have to decide. Today’s world is different from that of our nineteenth-century forebears in many ways, but the challenge of policing the difference between acceptable and unacceptable practices remains central to daily decisions about the foods we eat, how we produce them, and what choices we make when buying them.
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Purity Is a Myth
The Materiality of Concrete Art from Argentina, Brazil, and Uruguay
Zanna Gilbert
J. Paul Getty Trust, The, 2021
Presenting new scholarship, this publication is an innovative technical study of the Concrete art movement in Latin America.

Purity Is a Myth presents new scholarship on Concrete art in Argentina, Brazil, and Uruguay from the 1940s to the 1960s. Originally coined by the Dutch artist Theo van Doesburg in 1930, the term concrete denotes abstract painting with no reference to external reality. Van Doesburg argued that there was nothing more real than a line, color, or plane. Artists such as Willys de Castro, Lygia Clark, Waldemar Cordeiro, Hermelindo Fiaminghi, Judith Lauand, Raúl Lozza, Tomás Maldonado, Hélio Oiticica, and Rhod Rothfuss would reinvent this concept in postwar Latin America.

Drawing on research conducted by Getty and international partners, the essays in this volume address a variety of topics, including the general history, emergence, and reception of Concrete art; processes and color; scientific analysis of works; illustrated chronologies of the paint industry in Brazil and Argentina; and Concrete design on paper. An innovative technical study of the Concrete art movement in Latin America, this volume will be indispensable to scholars, practitioners, and students of Latin American art.
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Puro Teatro, A Latina Anthology
Edited by Alberto Sandoval-Sánchez and Nancy Sandoval Sternbach
University of Arizona Press, 2000
From plays produced on shoestring budgets in the 1970s to today's high-tech performance pieces, Latina theater has emerged as a vibrant art form whose time has come. This anthology showcases this dynamic new genre through the works of established playwrights such as Cherríe Moraga and Dolores Prida as well as talented new playwrights and performers who have emerged in the past decade such as Migdalia Cruz, Elaine Romero, and Monica Palacios.

Puro Teatro, A Latina Anthology includes a variety of theatrical genres: plays, performance pieces, puppet shows, innovative collaborations, and testimonials. It features previously unpublished plays from a broad range of experiences within the Latino/a community, including families and home, friends and community building, coming of age and empowerment, and sexual and ethnic identities. The editors' introduction provides a comprehensive survey of contemporary Latina theater, placing it in its theatrical context and examining its divergent roots. Puro Teatro, A Latina Anthology is the first book of its kind to reflect in print a diversified body of writing that turns the spotlight on some of America's most talented and prolific artists. A subsequent volume will complement this anthology with a theoretical, critical reading of Latina theater and performance.

CONTENTS
Full Length Plays
Botánica by Dolores Prida
Heart of the Earth: A Popul Vuh Story by Cherríe Moraga
The Fat-Free Chicana and the Snow Cap Queen by Elaine Romero

One-act Plays
Las nuevas tamaleras by Alicia Mena
And Where Was Pancho Villa When You Really Needed Him? by Silviana Wood
Fuschia by Janis Astor del Valle

Performance Pieces
Nostalgia Maldita: 1-900-MEXICO : A StairMaster Piece by Yareli Arizmendi
Good Grief, Lolita by Wilma Bonet
A Roomful of Men by Amparo García Crow
Describe Your Work by Monica Palacios

Testimonials
"Battle Worn," by Laura Esparza
"Dancing with the Voice of Truth," by María Mar
"Searching for Sanctuaries: Cruising through Town in a Red Convertible," by Diane Rodríguez
"Home, Desire, Memory: There Are No Borders Here," by Caridad Svich
"Tales of a South-of-the-Border/North-of-the-Stereotype Theatre Director, by Susana Tubert
"Catching the Next Play: The Joys and Perils of Playwriting," by Edit Villarreal

Full-Length Plays, Collaborative Works
Frida: The Story of Frida Kahlo by Migdalia Cruz and Hilary Blecher
Memorias de la revolución by Carmelita Tropicana and Uzi Parnes
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Purple Passages
Pound, Eliot, Zukofsky, Olson, Creeley, and the Ends of Patriarchal Poetry
Rachel Blau DuPlessis
University of Iowa Press, 2012
What is patriarchal poetry? How can it be both attractive and tempting and yet be so hegemonic that it is invisible? How does it combine various mixes of masculinity, femininity, effeminacy, and eroticism? At once passionate and dispassionate, Rachel Blau DuPlessis meticulously outlines key moments of choice and debate about masculinity among writers as disparate as Ezra Pound, T. S. Eliot, Louis Zukofsky, Charles Olson, Robert Creeley, and Allen Ginsberg, choices that construct consequential models for institutions of poetic practice.
As DuPlessis writes, “There are no genderless subjects in any relationship structuring literary culture: not in production, dissemination, or reception; not in objects, discourses, or practices; not in reading experiences or in interpretations.” And, as she reveals in careful and enthralling detail, for the poets at the center of this book, questions of masculinity loomed large and were continuously articulated in their self-creation as writers, in literary bonding, and in its deployment.
These gender-laden choices, debates, and contradictions all have a striking influence today. In this empathic yet critical historical polemic, DuPlessis reveals the outcomes of these many investments in the radical reconstruction of masculinity, in their strains, incompleteness, tensions—and failures. At the heart of modernist maleness and poetic practices are contradictions and urgencies, gender ideas both progressive and defensive.In a striking book on male behavior in poetic dyads, the third book in a feminist critical trilogy, DuPlessis tracks the poetic debates and arguments about gender that continuously affirm patriarchal poetry.
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Pushing Cool
Big Tobacco, Racial Marketing, and the Untold Story of the Menthol Cigarette
Keith Wailoo
University of Chicago Press, 2021
Spanning a century, Pushing Cool reveals how the twin deceptions of health and Black affinity for menthol were crafted—and how the industry’s disturbingly powerful narrative has endured to this day.

Police put Eric Garner in a fatal chokehold for selling cigarettes on a New York City street corner. George Floyd was killed by police outside a store in Minneapolis known as “the best place to buy menthols.” Black smokers overwhelmingly prefer menthol brands such as Kool, Salem, and Newport. All of this is no coincidence. The disproportionate Black deaths and cries of “I can’t breathe” that ring out in our era—because of police violence, COVID-19, or menthol smoking—are intimately connected to a post-1960s history of race and exploitation.

In Pushing Cool, Keith Wailoo tells the intricate and poignant story of menthol cigarettes for the first time. He pulls back the curtain to reveal the hidden persuaders who shaped menthol buying habits and racial markets across America: the world of tobacco marketers, consultants, psychologists, and social scientists, as well as Black lawmakers and civic groups including the NAACP. Today most Black smokers buy menthols, and calls to prohibit their circulation hinge on a history of the industry’s targeted racial marketing. In 2009, when Congress banned flavored cigarettes as criminal enticements to encourage youth smoking, menthol cigarettes were also slated to be banned. Through a detailed study of internal tobacco industry documents, Wailoo exposes why they weren’t and how they remain so popular with Black smokers.
 
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Putting Their Hands on Race
Irish Immigrant and Southern Black Domestic Workers
Danielle T. Phillips-Cunningham
Rutgers University Press, 2020
Winner of the 2020 Sarah A. Whaley Book Prize from the National Women's Studies Association

Putting Their Hands on Race offers an important labor history of 19th and early 20th century Irish immigrant and US southern Black migrant domestic workers. Drawing on a range of archival sources, this intersectional study explores how these women were significant to the racial labor and citizenship politics of their time. Their migrations to northeastern cities challenged racial hierarchies and formations. Southern Black migrant women resisted the gendered racism of domestic service, and Irish immigrant women strove to expand whiteness to position themselves as deserving of labor rights. On the racially fractious terrain of labor, Black women and Irish immigrant women, including Victoria Earle Matthews, the “Irish Rambler”, Leonora Barry, and Anna Julia Cooper, gathered data, wrote letters and speeches, marched, protested, engaged in private acts of resistance in the workplace, and created women’s institutions and organizations to assert domestic workers’ right to living wages and protection.
 
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Pyramids at the Louvre
Music, Culture, and Collage from Stravinsky to the Postmodernists
Glenn Watkins
Harvard University Press, 1994

A pyramid in front of the Louvre. Buffalo Bill's Wild West Show and The Rite of Spring. Schoenberg and Shirley Temple. Just as the odd juxtapositions of Modernism produced a new way of seeing, so now collage, in the hands of Glenn Watkins, offers a new perspective on the art of our age. A rich and revealing picture of twentieth-century music and the arts, Watkins' work shows us what our present Postmodern aesthetic owes to our Modernist past.

Behind the many guises of Modernism we find an appetite for opposing impulses: the exotic and the home-grown, high and low, black and white, the passionate and the cool, the cerebral and the instinctive. Watkins shows us these oppositions at play in the music of Stravinsky and Ravel, Debussy and Schoenberg, Ives, Satie, Hindemith, Ellington, and Gershwin, in the art of Picasso and the Cubists, Cocteau, Léger, Brancusi and Noguchi, in the anthologies of Nancy Cunard and Main Locke, in the ballet companies of Sergei Diaghilev and Rolf de Math, and in the performances of josephine Baker. Throughout, collage asserts its power to enlighten through juxtaposition, resist resolution, sponsor pluralism, and promote understanding of an order that eludes all edicts.

The masks of Oskar Schlemmer, of japanese No drama, and of the commedia dell'arte, the mythologies attendant to the retrieval of folk traditions and the emergence of jazz, and the mass relocation of artists in a time of war-all have a place in this depiction and assessment of the legacy of Modernism. A heady exploration of questions surrounding Primitivism, Orientalism, and technology as they surface at either end of our century, this book exposes the millennial preoccupations mutually invested in our search for "first times" and our convictions about "the end of culture"

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Pyrrhic Victory
French Strategy and Operations in the Great War
Robert A. Doughty
Harvard University Press, 2008

As the driving force behind the Allied effort in World War I, France willingly shouldered the heaviest burden. In this masterful book, Robert Doughty explains how and why France assumed this role and offers new insights into French strategy and operational methods.

French leaders, favoring a multi-front strategy, believed the Allies could maintain pressure on several fronts around the periphery of the German, Austrian, and Ottoman empires and eventually break the enemy's defenses. But France did not have sufficient resources to push the Germans back from the Western Front and attack elsewhere. The offensives they launched proved costly, and their tactical and operational methods ranged from remarkably effective to disastrously ineffective.

Using extensive archival research, Doughty explains why France pursued a multi-front strategy and why it launched numerous operations as part of that strategy. He also casts new light on France's efforts to develop successful weapons and methods and the attempts to use them in operations.

An unparalleled work in French or English literature on the war, Pyrrhic Victory is destined to become the standard account of the French army in the Great War.

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